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10.10 Fri
2025
From 4:30 PM
To 6:15 PM
Reserve Tickets
From $12
Checkout in the event's location currency (EUR)

Dialogue Session #2: Embroidery and Embodied Transmission



As part of the 2025 Palestinian Film Festival Amsterdam, Dialogue Session #2: Embroidery and Embodied Transmission welcomes filmmakers Carol Mansour and Muna Khalidi for a conversation with artisan and entrepreneur Belinda Idriss on embroidery, textile tradition, and embodied knowledge transmission. Carol, Muna, and Belinda will be joined in conversation by curator and researcher Amal Alhaag. 

This session follows a Thursday night screening of Mansour’s 2017 film Stitching Palestine, and is part of a tatreez trajectory within the festival programme, which highlights the importance of this cultural tradition as one of the virtual threads materially connecting Palestinian life in Palestine and across the Diaspora. Alongside the screening and dialogue session, festival audiences can also join for a Sunday afternoon hands-on workshop. 

The Dialogue Sessions are a series of conversations taking place throughout the 2025 Palestinian Film Festival Amsterdam, which invite two cultural producers to share short presentations on their practices followed by an extended conversation between them. 

For more details on the speakers, or to see other sessions in the series, visit: thepffa.nl/pffa-2025/films-and-events.

[Image: Still from Carol Mansour and Muna Khalidi’s Stitching Palestine, 2017] 
Dialogue Session #2: Embroidery and Embodied Transmission

About Organizer

The Palestinian Film Festival Amsterdam (PFFA) envisions an inclusive podium to showcase a diversity of genres, including drama features, shorts, animations and documentaries, presented by both established and emerging Palestinian directors.‍Founded in 2015 by curator and film programmer Nihal Rabbani, the PFFA emerged from a grassroots community action, fueled by a commitment to create a platform that would address the exclusion of indigenous directors from Palestinian film programmes in the Netherlands.‍PFFA’s purpose is to counter the dominance of films and film programmes on Palestine by foreign and amateur directors. Often shot with handheld cameras, these are usually activist documentaries, which, though recording important political content, can tend to overshadow Palestinian voices in film. The ultimate goal of the PFFA platform is to bring visibility to Palestinian directors who are working across genres, including drama features, shorts, animations and documentaries; and to provide screening opportunities for them to share their artistic narratives and cinematographic experiments with audiences.‍The PFFA is the only running festival focused on Palestinian filmmakers in the Benelux region. The festival continues to expand and deepen its representation of Palestinian voices, both in film and from across fields of cultural production (ranging from photography, poetry and literature, to artisanal handcraft and culinary activism).

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